Location: Upstate

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  • Thurayya UmBayemake

    Thurayya UmBayemake

    In this episode, we’re navigating finding your place in theatre education with Thurayya UmBayemake, a Coaching Teacher with the Spark! Program at the SC Governor’s School of the Arts and Humanities. Thurayya is based in Columbia, but she works around the state guiding a team of teaching artists working with elementary school children to learn reading and storytelling. While Thurayya has lived all over the United States, a series of opportunities brought her to South Carolina.

    Transcript

  • Matteo Miles

    Matteo Miles

    In this episode, we’re talking about the journey and realities of being a full-time artist with Matteo Miles, a muralist and painter, based in Greenville, South Carolina. Matteo took advantage of the programs and opportunities within the emerging art scene of Greenville to cultivate his talents, but his path hasn’t always been clear.

    Transcript

  • Kathryn Lawrie

    Kathryn Lawrie

    “Focus on what you love, focus on what makes you happy. What makes you wake up in the morning?” 

    Kathryn Lawrie is the VP of Marketing at Springs Creative, and their newly spun-out company Springs Digital. She focuses on leads and revenue generation and handles corporate marketing and corporate communication for the company. 

    About

    Kathryn Lawrie studied art at Winthrop University, with a double minor in art history and psychology. She originally planned to be an art therapist. After graduating, she moved to Columbia, where she worked retail at a jewelry store while learning from the jeweler behind the scenes. She spent months giving her resume to every arts-related employer she came across. Lawrie recalled, “To be quite honest, for a couple of months there, I was walking around town handing out my resume to every art gallery and museum and graphic design contact that I could make, and basically saying, ‘I have a degree in unemployment, can you help me?’” Her persistence paid off when one of her contacts helped her get a position at Scene Weaver, a subsidiary of Springs Creative,  

    Lawrie has been working at Springs Creative, across multiple positions, for eighteen years. She started out in product development in the graphics department, “really focused on the metadata and the tagging of all of the graphic files and how to resize and rescale things. Just maintaining that graphics archive.”  

    She branched out into marketing, and while keeping her “hand on the pulse” of product development, was able to improve her e-commerce skills, teach herself cinematography for marketing purposes, and take several trips to China while growing her department. Now, as VP of Marketing, she works with her content development teams and maintains communication between different segments of Springs Creative, and the newly spun-out company, Springs Digital. 

    When asked what skills young people aspiring to her role should acquire, Lawrie immediately answered, “I think soft skills are essential,” saying that they aren’t something taught in schools. She advises students to be their authentic selves, and “focus on what you love, focus on what makes you happy… what makes you wake up in the morning, and hone those skills.”  

    She also recommends students check out the designer-guided tours Springs offers of their textile archive, saying it’s “a great place to be inspired.” She promises that “it’s okay to be an aspiring artist,” and that students should never feel like they have a degree in unemployment like she did. 

    “Go for it,” she says. “Don’t let people shy you away from it.” She also says, “Springs Creative is always open to internships, and so anyone who’s in a creative field can definitely contact us with their resume and portfolio, and we could discuss opportunities for interning here at Springs.”  To check out the work of the newly spun-off Springs Digital, follow this link: https://springs-digital.com/creative-services-1.  

  • Walter Curry

    Walter Curry

    “Value success through impact rather than accolades.”

    Dr. Walter B. Curry, Jr. is an award-winning author, educator, and historian based in Columbia, South Carolina. Through Renaissance Publications, he documents African American family and local history, connecting ancestral narratives to broader historical themes.

    Interview

    Transcript

    Lexi Raines 00:04 

    So what do you do for work and where are you currently working from? Just give a little introduction of yourself.  

    Walter Curry 00:10 

    Well, first I want to thank you for inviting me. I have followed the Athenaeum Press for a while. I have a connection there, actually how I found out about the press about a year ago, when I’ve heard about your organization, initiatives focusing on community, with the Communal Pen, I’ve learned more about the Press. 

    But just to tell you about who I am: I am author and educator, and I currently live here in Columbia, South Carolina, and my work focuses on ancestry and local history. And so as an author, I write narratives about my family history which connects to local history in South Carolina, in Orangeburg and Aiken counties, where my family is located, and using those ancestral narratives through the historical context, in the broader scope of African American History and beyond. 

    Lexi Raines 01:29 

    That sounds that sounds really fascinating. It’s good to hear that you also know about the Communal Pen. That’s amazing. So how long have you been writing? 

    Walter Curry 01:40 

    I’ve been writing about been writing for five years. Yeah, five years. I started in 2018 I published my first book on the Thompson family on told stories from the past 1830 to 1960 and because of the success of the book, I won my first book award in 2019 I was encouraged to use that as a opportunity to launch my business. And so the concept and the business Renaissance Publications is a self publishing company where I published my books focusing on the literary arts, and so I’ve been writing about five years. I’ve written two books, The Thompson Family Book, my second book, The Awakening: the Cy Ellison Family Saga, Volume One, a narrative history. That book won several awards as well. And— 

    Lexi Raines 02:45 

    Awesome. 

    Walter Curry 02:47 

    Thank you. Thank you. And my third book, which will be a blockbuster South Carolina, Matilda Evans, she was the first African American woman licensed to practice medicine here in South Carolina, that book is coming out in April, and that book is going to be the exclusive biography of Dr. Evans. And so I’m blessed to have written three books so far, and I have also branched out to other areas in the literary arts, visual art. I also do presentations and design of exhibitions as well.  

    Lexi Raines 03:33 

    That’s awesome. So it sounds like you’re definitely staying busy. Yes, yes. I am. I am. You said that you have a family history in South Carolina. What’s one thing that you have, like loved about working as a creative here?  

    Walter Curry 03:47 

    South Carolina is a very unique state. South Carolina is about 80% rural, 20 urban. And the beautiful thing about South Carolina is that South Carolina is unique because of our rich history and culture. And when I travel across South Carolina doing presentations, I’m always paying attention to the area, looking at the features of the area, looking at the cultural aspects and the local history, which connects that area to other broader aspects of history. And so I will say, with South Carolina, we’re very unique as it relates to our culture, our rich history, and that creates opportunities for authors like myself to bring that history out and to make it come alive. Through the literary arts.  

    Lexi Raines 05:02 

    That’s awesome, because I feel like South Carolina does have so much like kind of hidden history that’s kind of been like pushed to the back, and that deserves to all come forward, because it’s always like such beautiful stories that are meaningful.  

    Walter Curry 05:18 

    Yes, yes, yes, I totally agree. South Carolina has a lot of hidden history. I’ve discovered during my journey that when I was researching my mother’s maternal native County, Aiken County, I discovered that Aiken County was founded by three African American men during the Reconstruction Era. Aiken County was founded on March the 10th, 1871 and I also found out that Aiken County was the only county in South Carolina that was founded during the Reconstruction Era. And so when I asked my mom and some of my relatives and friends who grew up in Aiken county in the salad area, they had no idea about the founding of Aiken County. They didn’t know that Aiken County was founded by three African American men, all state legislators and civil war veterans. And so it’s the hidden history that I have discovered which is an opportunity for authors and historians like myself to bring that hidden history out, and that is relevant in all communities across South Carolina, there are stories of hidden history that need to be brought out so it creates opportunities for those of us like myself to focus on local history and to make those broader connections to state history, national history, African American History, Women history, or other areas of History. 

    Lexi Raines 07:20 

    I feel like you’re definitely helping pave the way, like uncovering all of this stuff. So you how would you like describe the local professional community? Because you did say there’s a few others that are also working on similar projects?  

    Walter Curry 07:36 

    Yes, yes, I have a great relationship with the local professional community. I do my best to support my peers. They support me. I have collaborated with several of my peers on various projects, one in particular a good friend of mine named Wayne O’Brien. He’s a local historian and author from Aiken County. He’s from Charleston originally. We have partnered together on several activities and initiatives, the Harlem Renaissance, that exhibition. He has written several essays on his family history, about his family connection to the Harlem Renaissance, and how his great uncle, Charles Linton, discovered Ella Fitzgerald. And yes, yes. Charles Linton the Lenten family, they are from Shera and so his family is from Cheraw, and how the Harlem Renaissance is connected to my family, I’ve discovered in my ancestry that my great grandfather, first cousin Asman Ellison, lived in Harlem New York in the 1930s during the Harlem Renaissance, and he was employed at Hotel Teresa, and that that was the famous place where all of the political dignitaries, cultural icons in the African American community, even foreign leaders, they patronized and stayed at a hotel, Theresa. And so looking at my cousin his life, and also saw, I saw his picture, and I have his picture, and he wore a Zoot Suit. And so I learned about the zoot suits. And so me and my colleague, Wayne o Bryant, we have partnered together over the years. And one of the thing about being a part of a professional community, a network of peers, you are able to share information and share ideas. With each other and potential collaborative opportunities. And so I encourage that, because we don’t know everything. We have our strengths, we have our weaknesses, and I think we as creative, should acknowledge that. And the beautiful thing about being a part of a network is you lift each other up because this work sometimes is challenging, sometimes it’s frustrating. It’s a battle of the mind where we have to constantly reassure ourselves that we despite the struggles that we face from time to time, we’re in this because of our talent and we want to show the world that our talent has value because we believe that we as creatives have value, and that our value is the creative arts.  

    Lexi Raines 11:06 

    That’s awesome. Yes, I feel like I completely agree. I think it’s also so nice that, like you have, that South Carolina has such a good community to lean on. Because I feel like that’s something you may not find in, like bigger states, is that just really close connection and networking capability that we have here?  

    Walter Curry 11:27 

    Yes, yes, I totally agree. South Carolina is a close community. Is a small state, and we’re a state that is blessed to have rich culture, rich history, diversity. And I remember Governor McMaster, he mentioned in a state of the state address, he spoke about South Carolina rich diversity in history and culture, and that we are the envy of some of our competitive states because of the fact that we have rich history, rich culture from the American Revolution, Revolutionary War, Civil War and beyond. And we also have access to the mountains. We have access to the beaches. We have warm climate. So we have a lot of amenities that motivate us as creative artists to really highlight South Carolina through our work.  

    Lexi Raines 12:34 

    Yes, I would completely agree with that. And so kind of shifting gears here in your writing, like, how? How do you define, like, professional and or personal success in your creative endeavors?  

    Walter Curry 12:49 

    That’s a great question. I never thought of it. I would say that professional success, to me, is growth. I believe that over time you want to you want to see whether or not you are actually growing in the areas that you need to grow in in order to maintain success. And so for me, I look at my writing. I look at how my writing has improved over time. I also look at my activities. What are what am I doing as far as my activities to make sure that I stay active. So I measure that. Am I’m going to networking events? Am I doing professional development, professional learning opportunities? So I measure that, and how am I applying the knowledge and skills that I have obtained over time, and whether or not the knowledge and skills are working in my favor. And so that’s how I measure myself, professionally, personally, I look at the accolades, because we all want, we all need to know whether or not our work is being recognized. I’m not a person who seek personal recognition, because that is a trap. I think we have to be careful as creative to if we focus too much on personal recognition, but it doesn’t help to get recognized, and so when I receive awards, and I have received several awards for my work, that tells me that I am being noticed, and I am out there and people are. Recognizing my work, not only those who follow me and support me, but my peers who are judging my work as well.  

    Lexi Raines 15:09 

    Yeah, I would completely agree with both of those. I think, like first for what you said in your professional life, like I feel like the worst thing that can happen to a creative is that kind of like stagnation. So I feel like striving for growth at all times is the only way to grow to get anywhere. Really. 

    Walter Curry 15:35 

    I agree. I agree. I agree and to and to your point, you don’t want to feel stagnated. You always want to achieve growth, and  

    Lexi Raines 15:48 

    then with the your personal success, the like awards and stuff, I feel like it definitely, I would agree it’s important to have a mix of having a drive for doing it for yourself, and then having a drive to put stuff out there and be recognized. So I would, I would agree with that. Thank you. Thank you. So what was like your biggest fear when you first decided to pursue the arts?  

    Walter Curry 16:19 

    Oh, man, that’s a great question. I would say fear, fear of failure. I have failed several times in business, and I’ve learned from my mistakes. I started out as an insurance agent, following my father’s path, did pretty well, but I found out like this, ain’t me, you know, he’s a very successful insurance professional. He taught me a lot about business and some of the skills and lessons that he taught me, I still apply till this day. And then I moved into real estate, got my real estate license, and I only sold one house. Actually, it was a cousin who I helped, and he owned a rental property, and he sold it, and I helped him for 21,000 so I didn’t do well, because I thought, Man, I got this real estate license. I’m going to make a lot of money. I remember going to a subdivision and this successful real estate broker. He was like, Walter, if you come to this subdivision and you be the agent on duty. And I was thought, man, all these people going to come to me, I found out that was not so. And so I got out of, out of real estate, and then I tried jam Pro, because I was, I was convinced by a cousin to get into the cleaning business. Did okay with that. Then I quit, and then got into education. I taught school for four and a half years, then at the time, I was blessed to obtain my graduate degrees. I have three graduate degrees, by the way, and I decided to leave the classroom because I was tired of teaching middle school kids, so I didn’t do well with that. And I look back at that experience, and I said to myself, if I would have applied myself, I would have been a better teacher. So I was a rebel, okay? And I didn’t take my training seriously, so I fell on what I know, and at the time, I was going through a midlife, midlife crisis, I remember all of the stories that my mom shared with me about her family history, and I did some research and find out that man I have an ancestor who was an enslaved cook in the Confederate Army, and found out about her, located her pension record. Then I did some more research find out about ancestors who were enslaved, more written records, primary sources. I said, Wait a minute. I got something here. Okay, and so I was able to discover my passion in history. I have discovered my passion as a writer, and because of my background in education and business, I put those skills to use, and I have successfully applied those skills. And so I’ve been doing this for five years, but my biggest fear when I started. Out was the fear of failure. And the fear of failure for me was the mistake over the years prior to me becoming a business owner in the literary arts, was the lack of application, the lack of discipline, not being humble, okay, not learning from mistakes. And so I say to myself, I will not fail again, you know? And so I’m blessed to be in business for five years. It has really been an incredible journey. Yes, I  

    Lexi Raines 20:41 

    I feel like that definitely shows too that everything that you do does ultimately get you, if not, where you thought you would originally be. It gets you to where, somewhere, where you will be happy, like your business background, your time as a teacher, all of that led up to you being a writer. So it really shows you never know where life is going to take you all the time. 

    Walter Curry 21:08 

    Well, I agree. I agree, and that’s why you have to have a open mind. I encourage everyone to seek your gift, seek your calling. I believe that everyone has a calling. Everyone has a gift. It’s how we cultivate our calling, how we cultivate our gift and be able to appreciate that. I’ve learned that you cannot be something that you’re not. You know you could try, but you cannot be something that you’re not. You could, you could try to fill somebody else’s shoes, but over time, those shoes are going to get bigger and bigger, and your feet going to get smaller and smaller. It’s kind of like my grandma, Lizzie Williams curry, she passed away several years ago at the age of 102 and she said she shared a lot of wisdom and advice with me during her last years. We had a lot of private conversations, and she told me about my journey, she said, Walter, I’m going to tell you something. You got to stay in your lane. Okay, stay in your lane. Don’t worry about trying to ride somebody else’s lane, because if you do that, you’re going to get run over. Okay, stay on the path that God has called you to do. Don’t worry about what people say, because people going to talk, they going to criticize. I mean, that’s part of life, that’s part of the game, but you got to stay focused on what God has called you to do, and stay in your lane. So I live by that example, and I don’t try to interject myself in a lane that I am not called to run on. So for instance, because of my popularity as an author and a historian, I have received numerous requests about doing other things and also requests in knowledge that I’m not familiar with don’t have no expertise, so I’m happy to defer to those who do have knowledge, experience and expertise, and that’s why a professional community of peers is so important, because, number one, it helps you to identify peers who have the knowledge, skills and expertise and the resources. And number two, it gives you credibility, meaning that I don’t know all the answers, but I know someone who does so that gives folks a sense of your credibility and your ethical behavior in the field,  

    Lexi Raines 24:12 

    I would completely agree. I feel like staying in your lane, like I have a question later about like the best and worst advice you’ve ever received, but I think that is genuinely good advice too, because I feel like, if you are trying to like, you said, like, interject yourself into other places. I feel like that can be where, like so much unhappiness will stem from. Like, that fear of judgment from doing like, what you truly want to do. So I feel like that is just a really, really important and wise piece of information she gave you. Thank you. Thank you. Thank you. So please like describe, for me, a defining moment in your creative journey, like, did you have a like, a particular project or moment that had the biggest. Impact on, on you.  

    Walter Curry 25:03 

    Yes, yes, I will say the defining moment for me was in 2020 before COVID. February the first 2020 black history, month of the unveiling of my first exhibition Sally in the Thompson family, and that exhibition was featured at the Aiken County Historical Museum in Aiken, South Carolina, where my maternal family is from. And I, along with the director, Laura Virgo, we collaborated for about six months on the exhibition, the items and the promotion. And I remember putting, putting the word about the exhibition out to the public and on social media. And I looked up one day find out. Man, it is sold out. And I remember Laura said, Doctor, curry. We are at capacity. I said, what? You gotta be kidding me. And so I remember, I spent the weekend down there. My cousins gave me we had an Alli at my cousin house, and so they were so excited. I mean, I mean, they were so excited. Some cousins I never met, who came down, and I was like, wow, they doing all this for me. And so I on Saturday morning, I lost my wallet, and luckily, I was able to recover it. I left it at a gas station, so I said to myself, Man, I lost my wallet a few hours before the opening event of this exhibition. I’m freaking out. And so when, when, when the exhibition was finally open, during event time, I looked up and there were people coming from all walks of life. I mean, I think it was over 100 people. And according to the museum, they say that that was the largest gathering of an exhibition in its history. Insane. That was insane. I was like, Oh, my God, this is insane here, you know. So that was a defining moment for me to really sink my teeth in and say, Okay, this is something. I could do this. And so that led to me defining my skills, making sure that I stayed with what I am doing. And so that was the defining moment. And the second defining moment was recently when I finished writing, when I finished writing my third book on South Carolina, Matilda Evans, a medical pioneer, and looking at my work and looking at how this book is really going to be a major blockbuster in South Carolina history. That is another defining moment for me. So yes, those are two defining moments.  

    Lexi Raines 28:30 

    Those both sound so like special I can’t even imagine, like, how you must have felt in that moment. That is congratulations. That is actually amazing. Thank you. So, yeah, of course. So I know we kind of already did hit on this, but if you have any other advice, what is the best advice you’ve received and the worst advice you’ve received?  

    Walter Curry 28:57 

    The best advice I receive, I will say, like I said during our interview, is stay in your lane. Know what you’re good at, and perfect your skill and talent. And that has helped me the worst advice. I haven’t received any worse advice. I will say, being tempted to do something that you don’t want to do. I will say over joining organizations. Sometimes we do that. Join this organization, you join that organization, and you hoping that if you join organizations, you will get something out of it. So I will say that is, is the worst advice that I receive. And I will say in that if you going to join an. Organization, you have to feel comfortable. You have to know why you join in that organization, and you don’t want to over join. You want to join organizations that relates to your interests. So that is the two advices that I have received.  

    Lexi Raines 30:47 

    I feel like that is definitely good thing, or a good piece of advice, or not over joining organizations, because I feel like young creatives, they are just trying to, like, get their names out there, do whatever they can do, as much as they can. And I feel like, as an artist, it’s so easy to stretch yourself too thin and kind of like get burnt out in that way, which is obviously never what you want to happen to your passions. 

    Walter Curry 32:53 

    Oh, I totally agree. And we can get burned out, and you get burned out to a point where it does affect your cognitive ability, because as a creative your mind is all over the place. You know, I even have to guard that myself. Well, well, I want to do this, but, but I know I shouldn’t okay, what I shouldn’t do, what I shouldn’t do I should do okay and to your point, we have to guard our minds. And I will tell any creative, guard your mind. Take time for yourself. Don’t worry about whether or not you’re going to get opportunities. Opportunities will come if you just stay focused and perfect your craft, stay engaged. Opportunities will come, and I’ve discovered that. I’ve discovered the days that I feel like, Are there any opportunities coming? You check your email, you find out, Oh, man, there’s an opportunity. Okay, yeah, yeah. And also cultivate relationships and give back. I think sometimes we miss that. I mean those organizations and peers who have helped us, we need to help them. And I would say that to creatives, that when you have downtime, that doesn’t mean that you’re not working. Okay, that’s an opportunity where you can reflect. That’s an opportunity where you can say, Okay, I need to retweet this. I need to retweet that. I may need to revise this content, revise that content, that content. That could be an opportunity to do some promotion on social media. Okay, follow up on emails. So So I always, I will always say that there’s always something to do, but the same time you have to know what your goals are, what your interests are.  

    Lexi Raines 32:53 

    I completely agree with that. Because, like, even on your point with like, not being afraid to give yourself that time to relax and have that downtime. Even I have felt that this past semester in school like it, it’s okay to give your brain a little break, and in that moment, in those moments where you are taking that break, you can find so much inspiration for things when they pick up again.  

    Walter Curry 33:21 

    Oh, absolutely. And you have to reflect on your successes too. When you reflect on your successes, that will help you feel positive, because, you know it’s like with Steve Harvey. He owns a radio show, and he has his his morning talks, and his morning talks are very, very powerful, inspirational. I remember listening to one of his morning talks, and he mentioned about how you have to speak something positive about your life, where God has placed you in your life. He will start off by saying, Steve got a radio show, yeah, I got a radio show. Okay? And he will tell you what led to him getting that radio show. He will tell you that man, several years ago, I was homeless. I was sleeping in my car. Okay, now I’m sitting in this chair, and I have my own radio show, and so he takes the time to reflect on his successes, and we have to do that, but particularly in this world of distractions, as we see, there are so many distractions, and so I would encourage creatives to reflect on your successes, and that doesn’t mean reflecting on your awards or your accomplishments, but but if you have published a book, if you have. Design or create a painting. Count that as a success. I mean, I mean, count the fact that you are participating in a professional development opportunity. Okay, the little things. It’s the little things that we have to appreciate. I believe in what St Augustine said in his book confessions, it’s the little things that leads to the greater things he didn’t say. These are the greater things he says, those little things. And so those little things that we have to pay attention to. 

    Lexi Raines  35:37 

    I completely agree you have, you have good advice after good advice, this is going to be awesome. So can you walk us through like a typical work day, like, what does your work process look like, and what do you kind of like expect from yourself on a daily basis?   

    Walter Curry 35:57   

    That’s a great question. You never know. I’m a father of two sons. I have a lovely wife who supports me, so it’s always unpredictable. I’m blessed to have flexibility. I work from home, so I make it a point to walk outside while my wife and my boys, they in the kitchen getting ready. I’m getting ready to take them to school. So I believe walking outside in the morning to feel refreshed, to connect with nature, to clear your mind, because your mind has to be clear. Also, I work out. I go to the gym twice a week. I’m trying to increase it to three times a week, because your success connects to your physical success. I believe that in order for us as creatives to stay engaged mentally, to decrease stress, we must take care ourselves, take care of our bodies, and we have to incorporate physical activity. So I do work out at the gym. I check my emails in the morning. I look at things that I could do as far as my work. I pick up the kids from school, help them out with their homework, and when my wife and my kids are sleep, I’m back on the computer, catching up on things. Well, that’s my typical work day. I do have presentations, and so when I schedule presentations. I take the time to prepare for those presentations and other projects that I’m working on, making phone calls.  

    Lexi Raines 37:51 

    So how do you create like that work life balance where you’re able to maintain like your professional creativity, your personal creativity, and just like that time with your family. 

    Walter Curry 38:03 

    Yeah, it’s a challenge. Sometimes it’s a challenge because in my position, I’m blessed to be compensated for my work. I receive compensation through a grant from the South Carolina Arts Commission. I have a partnership with the Aiken Center for the Arts. I am the author in residence, and so we have a grant through the South Carolina Arts Commission, where we host historical exhibitions in middle schools across Aiken County, eighth grade classes. And so I’m blessed to be compensated, and also I’m a member of the South Carolina humanities speakers bureau, where I’m part of a circuit of speakers of history, art and culture called South Carolina, and I present at various cultural centers, museums, arts and humanities organizations across the state. And so I’m blessed that I am being compensated for my work. And I think we have to feel well, let me say we need to be compensated for our work because of what we put in. And so I’m always looking for opportunities for compensation, and if those opportunities for compensation don’t come quickly, then I’m looking to help other authors. And that’s a key point I want to make too, is don’t just look to see compensation all the time, there could be an opportunity to help another creative, and that creative will help you. There could be an opportunity to connect with it, with an influencer. And influencers are very, very important in our work. Those are the individuals who have influence in areas of expert. Teas, but also have influence in networks that could give us opportunities, and so we have an opportunity to help the influencer. So these are strategies that I have used over the years that have helped me, because as a creative, you’re going to experience gaps, okay? I mean, in any business, there will be gaps, okay, but how do you overcome those gaps? How do you train your mind mentally to not allow those gaps to affect your confidence? And so that’s why I live by three things, looking for opportunities that provide compensation, looking to help other peers, and also looking to help influencers and get involved in my professional networks. 

    Lexi Raines 40:58 

    I would completely agree. I feel that, like, obviously, when you are working creatively, you do want to worry about money, but like, there’s so many other ways that you can kind of get that, like payout, like just their experience, or growing your circle, all of those things that you mentioned.  

    Walter Curry 41:19 

    Yeah, yeah, I totally agree. Totally agree.  

    Lexi Raines 41:24  

    So as we’re approaching the end of the interview, do you have any questions that you wish you were asked?  

    Walter Curry 41:32 

    Oh, no, no. I really enjoyed this interview. I got off to a slow start, but over time during this interview, really enjoyed answering the questions. 

    Lexi Raines 41:47 

    I’ve really enjoyed talking with you. I feel like you have so many like valuable, so many valuable words of advice for people that I think will be just so helpful. Thank you. Thank you. So my last question, do you have a creative that you would like to be interviewed, that you’d like to nominate to be interviewed?  

    Walter Curry 42:09 

    I do several of them, several of them. I will say my cousin Teresa Corley Wright and here’s why I say that, because she was the one who introduced me to the world of writing. Really tell you this story like myself, she is a family historian. We share a common we share a common ancestors, and I remember myself and Teresa, we discussed the idea of a family history book. And at the time, I knew that Teresa had experience in writing books. She has written several books over the years and and she told me, she said, Well, Walter, since you know the family history and you know a lot of relatives, you should write the book. I said, me, Ah, man, I’ve never written a book, you know. I said. I said, okay, okay, okay, okay. You gotta be kidding me. I’m just gonna provide you the information. But I said, Well, wait a minute. You know, I’m at a midlife crisis. This is an opportunity for me to show what I can do. And so I took the opportunity I wrote the book through trial and error. But what’s so interesting about my first book is the structure of the book is the same structure that I use when I wrote my dissertation. And so I had no format of writing a book. I say, Okay, I’m going to write the narratives, and then I’m going to write an interpretive essays about the narratives. Okay? And that’s qualitative research, where you take narratives and you write interpretive reflection essays about the narratives, looking at themes and context and so forth. And so I follow that format, yeah, yeah, yeah, yeah, I’ll follow that format. So yes, Teresa has been very helpful. She She deserved to be honored. She has now received accolades for her work, and so I will, I will be be honored to recommend her,  

    Lexi Raines 44:55 

    Yes, okay, awesome, so I’m going to be sending. You like a little follow up email, and I’ll remind you in there. But could you just like, attach either her contact information, like her email or her phone number, whichever she prefers, and then also, thank you. Thank you so much. Thank you. Yeah, I’ve really enjoyed our time today this you just have so much good advice. It’s awesome. I feel like your story is really inspiring. Like you’re just you didn’t know what you do. That’s kind of how I’m feeling. Like I don’t know what I want to do, but you give me hope that I will end up there.  

    Walter Curry 45:35 

    Well, I appreciate it. And that’s, and that’s, and that’s, that’s what we have, is hope. Like Steve Harvey said, If you don’t have faith, have hope. And I draw on that because that was the characteristic that my ancestors had when they were enslaved and share crop. And in the rural South Carolina, they had faith, but they had hope. And I think before you have faith in something, you got to have hope. You got to have something to believe in. Because when you have hope for something, then then you will develop faith, but you got to have hope first. And how I describe hope as optimism, you have to be you have to be optimistic, and you have to really believe in yourself, because, again, there will be challenges. You have to face rejections. One of things. One thing I learned when I was active in the insurance industry, I learned about rejections. I learned about overcoming rejections, because that’s part of the process. When you are in the sales industry, you going to have objections, you’re going to have rejections. Okay? Is how you overcome those objections and rejections to move forward. It’s all saying it’s a numbers game, you know, an insurance business, it is a numbers game. And that has never changed. And so we as creatives, we’re selling our work. We are actually selling content, okay, where in insurance business, you’re selling a product, okay? That product could be life insurance, health insurance, disability, okay? Where, as a creative, you’re selling content based on an idea. Okay? You’re trying to convince people that your content and your idea worth something for them to buy. Okay, so you got to have hope and you got to have faith.  

    Lexi Raines 48:06 

    Yes, that’s also more good advice you, you just keep coming with this.  

    Walter Curry 48:16 

    I love to do a podcast one day, my tips and strategies. 

    Lexi Raines 48:22 

    Yeah, that would be awesome. We actually do have a podcast section on our website, so I’ll definitely, I’ll definitely mention you to my boss for sure. 

    Walter Curry 48:37 

    Yeah, yeah, yeah. I appreciate it. 

    Lexi Raines 48:40 

    Yeah, of course. So just thank you again for your time. I’ve really enjoyed this interview. I’m going to send you that follow up email, and obviously you can, like, email me any questions you have, but yeah, I think that’s it.  

    Walter Curry 48:55 

    Alright? Thank you so much. 

    Lexi Raines 48:57 

    Yeah, of course, you have a good rest of your week. 

    Walter Curry 49:00 

    Same to you. Same to you. thank you.  

    Lexi Raines 49:02 

    Thank you. 

  • Kelly Moran

    Kelly Moran

    “Success is all dependent on every single individual’s definition… You have to define what that goal is for you, because it’s going to be different for everybody.”

    Kelly Moran is a multi-genre author and founder of Rowan Prose Publishing, based in York County, South Carolina. Since her first book was published in 2005, Moran has authored over 30 titles across paranormal romance, contemporary romance, and light horror.

    Interview

    Transcript

    Emma Plutnicki  00:02 

    So to start, what do you do for work, and where are you currently working from? 

    Kelly Moran  00:09 

    I live in South Carolina. I’m in York, up in the north-central area, not far from Charlotte. As an author, my first published book was in 2005, and I’ve been publishing it ever since. I mostly write paranormal and contemporary romance, but I do have a horror persona as well, who writes light horror books. And in 2023 I started my own small press publishing company called Rowan Prose Publishing, also based out of York. And right now, we’ve got a little over 50 authors. 

    Emma Plutnicki  00:57 

    And so how long have you been doing each? Author you said since 2005 and publishing since 2023? 

    Kelly Moran  01:05 

    I want to say 2005 was my first published book. That sounds about right. But really, in essence, I’ve been writing since kindergarten. I always wanted to be an author, but I didn’t always know that’s what it was. You know, I get these ideas in my head, like I want to be the president, or I want to be a US gymnast or whatever, and I realized it was more the story I was interested in, than, you know, the actual job title. So I always had a creative mind. Other people sit and watch movies or do things, and 10 ideas for a new book pops up in my head. I can’t tell you how many titles I have, like 45 maybe, and I’ve been traditionally published with Berkeley/Penguin, larger publishers like Entangled and Kensington, and then I’m also I’m what they call a hybrid author. I also independently published some of my own work. I have foreign translation rights in seven different countries, and I learned a lot about marketing and design amongst other things. That kind of persuaded me to start Rowan Prose Publishing, because I would get a lot of authors who would ask for advice. So, we’re getting a whole different side of publishing and writing and things like that which never would have been seen before. So, you got the Big Five who are publishing what they want to publish, what sounds good, what’s trending. But a lot of them are not taking on what readers are necessarily looking for. They’re not taking a chance on the smaller authors, debut authors, who are just starting out. They don’t want to put a lot of time and effort into helping an author build a career or working really hard on developing a book to the best of its ability. But unless you’re a big name, a lot of publishers, even with agents, aren’t accepting new and debut authors. I got into conversations with an author, and I’ve been friends with her for a very long time, and we were discussing how can we do this? It was a big undertaking, a huge undertaking, but we’re showcasing a lot of authors that you would not see on shelves elsewhere. You know, you would never have heard about these great, amazing, wonderful stories that bigger publishers don’t just want to take a chance on. And because we were by authors, for authors, we wanted to make sure we were not only showcasing new talent, but using new and innovative marketing techniques that some other publishers don’t. We give our authors a lot more freedom than some other publishers would. So, it was a big undertaking, but I’m really glad we did it. We have some really, really amazing talent. 

    Emma Plutnicki  06:03 

    And is the is the talent that you work with from South Carolina? Or is there any influence of South Carolina within your work, whether that be the clientele or any influence that the state has on your writing? 

    Kelly Moran  06:19 

    In my own personal writing, yes, I have. In my, fact, I’m writing a southern romcom series right now that’s been contracted with Germany for foreign translation. For Rowan Prose, yes and no. We’ve had some really great output from independent bookstores and libraries. I don’t think we have a South Carolina author right now. Publishing is mostly a virtual entity. What I would love to see is more of the colleges and whatnot, like what you guys are doing, showcasing how to properly do this. I mean, there are so many young adults who were me once, who are like, I want to do this. And it can be very dejecting and demoralizing. And it’s, it’s, I wouldn’t want that for anybody. One of our authors, in fact, is based out of Louisiana, and is only 20. She’s in college right now.  

    Emma Plutnicki  08:02 

    Amazing. And within a creative career, I mean, it can be very difficult to figure out what your niche is and also how to find success. So how would you define professional success? Is it the number of books you sell, or is it kind of just something within you of like bringing your words to the page. What does success look like for you, both personally and professionally? 

    Kelly Moran  08:27 

    I think, to be honest with you, success is all dependent on what every single individual’s definition is. Several of my authors are like, I would just love to see my book in a library, and they will be happy for the rest of their life. Some want New York Times and USA Today bestsellers. Some want to be Stephen King or Nora Roberts and be a household name. For each individual person, you have to define what that goal is for you, because it’s going to be different for everybody.  

    Emma Plutnicki  14:15 

    Yeah, no, it makes sense. Did you have any fears when you were starting as an author, or any fears when you started your publishing company? 

    Kelly Moran  14:23 

    Oh my gosh, yes, and I still do to this day. I’ve been in this business for 20 years. A lot of it now is fear for my authors. Like, I remember getting that first bad review. Having somebody navigate that with you when you’re first starting out makes all the difference. It’s kind of like hand holding. Not every reader picks up the same book. They always say to grow a backbone, but, in my opinion, if you grow a backbone, you lose a lot of that emotional edge you can put into your writing. You know what? Cry about the bad review. Drink a glass of wine and start again. That’s all you can do. I mean, one of the funniest things I like to tell my authors is, if you look up on Google the reviews for Stonehenge, it’s got an average 2.5 to a 3-star review. So, look at it that way. There’s going to be people out there who are going to hate, and all you can do is keep going, because for everyone that does, there’s 10 that don’t. It’s easy to say grow a backbone, sometimes you get tougher skin out of it. But that’s what always scared me. I think about that every day, and I think about all my new debut authors and how they’re going through that right now. I tell them the same thing: you’re going to get bad reviews, but you’re going to get great ones, and you’re going to build great readers, too. I think a lot of what they fear the most: rejection and failure, but failure is just like success.  

    Emma Plutnicki  17:43 

    Yeah, that must be pretty cool to look back on. But has there been a significant project that you’ve worked on throughout your career that really stands out as kind of the pinnacle of your creativity, or just one project that has had a significant impact on your life?  

    Kelly Moran  18:02 

    I don’t know if there’s one project in particular, because especially for an author, it’s the little things like, oh my goodness, USA Today reviewed me, or I just won this award, or I’m a finalist in this one, or you collaborate with other authors sometimes to write a compilation and anthology. As a matter of fact, one of my other big pieces of advice is to join a writer’s group, because they have publishing professionals, editing professionals, cover design professionals, indie authors, and traditional authors. And you’ll learn a lot by going to conferences. And some of them are virtual. Some of them are in person. I remember, I think, probably my most pivotal moment that I can think of is I had written and published two or three books with some small press before this happened, and I had written this book, and it was very emotional, it kind of bordered on romance and women’s fiction, but it was a romance, and one of my author friends who I met at a conference had said, why don’t you try submitting it to my agent? I’m like, I don’t know. Okay, let me try. I had hit up hundreds of agents before in some of these previous books, and I didn’t have the reader following. I didn’t have that experience. Most of them didn’t pick me up. So, I did. I submitted it to her agent. She loved it, and that was my first mass market contract. That was my first I’m in every bookstore. That to me, I think, was the most, to date, eye opening and pivotal experience I had, because not only did I get a mass market contract and these books were everywhere, but it was also a two-book deal. That was my moment. So that would probably be the one that stands out the most. 

    Emma Plutnicki  21:57 

    Yeah, that’s pretty special. So now, a typical day, what does that look like for you? Do you spend a certain amount of time in your day writing? Are you more on the publishing side? What does a typical day look like? 

    Kelly Moran  22:10 

    It depends on what contracts I have for my writing. At the time, Rowan Prose ate most of my time, and I’m happy to do it. I mean, I love what I do. I’m literally living my dream. I wake up when I feel like it, though it’s usually six o’clock in the morning. I check on my authors, and I check on our social media. I post, but it’s a big balance. Here I have all of these responsibilities, and I don’t want to let my authors down. So, there’s that, and then I have my own books to make sure I maintain for my readers, and I’m still following that dream, and I do still have many foreign translation contracts that I fulfill every year. So what I like to do is start out with, you know, something slow in the morning, I always do our social media accounts, make sure we’re posting, doing things, checking email, and then from there, I like to get into whatever edits we have for our authors. Make sure everybody is doing okay. We’re ahead of schedule, and I’ll usually do two to three hours of writing in the late afternoon. We have three interns who are amazing, who help me out when we get backed up, and two other editors beside me. One of them is an author, the other one’s a blogger earning a bachelor’s degree in journalism. We try to make sure we have a balance between work and whatnot. 

    Emma Plutnicki  24:25 

    We maintain that, because I’m sure working from home doesn’t make it easy to separate the work from just your normal day-to-day life, and I’m sure creativity strikes at different times of day and night. So how are you able to kind of have time for your work, and then also have time for yourself? 

    Kelly Moran  24:43 

    It’s really difficult. You have to be very detail oriented. I have a number of my writers who have day jobs, and then they write at night, which is what I used to do. And for me, I’ve always been obsessively organized, would probably be a good way to put it. So, I have schedules. My schedules have schedules, and those have post-it notes that have their own post-it notes. I make myself follow a schedule, because if I can’t do that, then things go crazy. You just have to set boundaries and stick to them, and set a schedule and stick to it, especially if you’re working a full-time job away from your writing career or your publishing aspirations. A lot of people feel really bad because they go to three days without writing or typing something on a page, but you can’t fix a blank page. I mean, writers probably have one of the best and toughest jobs. 

    Emma Plutnicki  27:06 

    Yeah, it’s hard.  

    Kelly Moran  27:10 

    I mean, unless you’re an actor or a journalist, what other job is there where, when your day is done, every single person in the world can leave a review about you. I mean, it’s cutthroat. Let’s say you’re a mechanic, right? Imagine going to the shop every day and you’re changing brakes and oil and transmission work, and then every person whose car you fixed then went on to the largest platform on the planet and says, “One star.” I didn’t like his overalls. That’s how it is. 

    Emma Plutnicki  28:05 

    I can imagine you must have tough skin to, you know, brave in those reviews? 

    Kelly Moran  28:12 

    A dream is a dream, and that’s just one of the things that a lot of people need to take into consideration. A lot of authors don’t even read their reviews for that reason. They don’t even look at one of them. I will, on occasion, pop onto Goodreads or Amazon, but I try not to anymore.  

    Emma Plutnicki  28:35 

    Oh man, oh my gosh, yeah. I don’t know if I could, uh, restrain myself from reading them. But, um, perfect. Well, just as we wrap up, is there anything else you’d like to add about your career advice or anything like that? 

    Kelly Moran  28:51 

    Follow your dream? It’s the cheesiest, most cliche thing out there on the planet. Learn your craft, join some writer groups, meet a couple of writer friends, and they don’t have to be in your area. I mean, in this day and age, zoom, or, you know, Facebook chat or whatever. Meet some other authors. Learn how it’s done. We do get a lot of authors who don’t even bother reading our submission page before they send it to us, and I’m sorry, but if you can’t take the time to at least think about what we need from you to submit, then that tells me you’re not going to be open to the other things that need to be done later on. When you’re submitting to agents and publishers, follow their guidelines, because every single one is going to have something different. Think about what your goals are. If this is something you want to do, definitely think about the degree you are earning and how you can get into that world, earning a paycheck while you’re working on your book, while you’re working on submitting and any of things like that. That would be my best advice. I had, I want to say it was something like 80 agent rejections before I got mine. And yeah, and I’ve had a number of small presses all the way up to big five rejections, and most of those came from the series that got me the Spiegel bestseller in Germany, and lots and lots of royalties afterwards. And when you’re stuck, move on to something else. We’re authors, we’ve always got something going on in our heads. Don’t feel dejected, because this is one of the toughest markets to break into. 

    Emma Plutnicki  31:37 

    That’s great advice. Thank you so much. I really appreciate the time and words of wisdom. I’m sure this will definitely help some people who want to become authors in the future. So, I really appreciate it. Thank you. Bye. 

  • Megan Koon

    Megan Koon

    “Everything I produce could only come from me, and so it is a personal contribution.” 

    Megan Koon is an editor, coach, and author Megan Koon is on a mission to help others tell the stories only they can write. 

    Interview

    Transcript

    Megan Koon  00:02 

    So to start, what do you do for work and where are you currently working from? So for work, I am a professional writer, a writing coach and an editor, and I work from Simpsonville, South Carolina. 

    Emma Plutnicki  00:18 

    Nice and how long have you been doing that for? 

    Megan Koon  00:21 

    Well, I’ve been a professional writer at least part time for I guess, I published my first novel in 2019 so around that time, and then I recently in November, decided to go full time with professional writing, writing coaching and editing and all the good storytelling stuff. Nice, exciting. So what is a typical day look like for you? What’s expected of you, and what do you got into on a daily basis? So a typical day for me is, well, I have children too, so I get up going, but then when it becomes time for professional work, I find a place to work that is not my house, because I am not a productive person in my home. So I like to work from coffee shops as a writer. It’s great to be immersed in different kinds of people and hear conversations and see dynamics. So I really like to work from coffee shops, sometimes the library, if I need to lock in, but so I’ll go to wherever it is I’ve decided to work that day, sometimes outside as well, and then I usually spend a couple of hours working on a piece that I’m editing. Often that’s followed by a meeting with whoever I’m editing for. I just recently finished editing a or- developmental editing a young adult novel. So I met with the writer recently, and then I take a break for lunch, and then I like to spend my time writing my own stuff or working on podcast ideas, because that’s something new that I’m working on and yeah, and then often in the late afternoons, after school. I also work with kids. So I will go and work with kids. I work with kids who who have dyslexia and dysgraphia, so they struggle to read and write and so I’ll work with them after school, typically. So that’s, that’s my day. It’s a whole bunch of words. 

    Emma Plutnicki  02:21 

    Yeah amazing. And so you put on a lot of hats throughout your day and have to deal with your family and everything. So how are you able to maintain a healthy work life balance? Because I’m sure also creativity strikes at different times. So how are you able to manage that? 

    Megan Koon  02:38 

    Yes, that’s a really good question. And honestly, that is an acquired skill that takes time to figure out, because you’re right. Like creativity strikes at random and often inconvenient times, which is one reason I always have my notebook with me. I have a notebook with me at all times, everything, everything’s in here, and so that way I can scribble down or write something or make notes as I go, no matter where I am. But I think that most importantly, when I first started doing this work, I really overbooked myself. I was taking on clients right and left. I was so concerned about making enough money to support myself, that I was just like grasping for people, and then I realized that that was taking a toll just on me and my mental health and all of that. And so I keep a pretty standard schedule every day, like there are blocks of my time, just like anybody else would go to work, I block off segments of my time. This is when I work on this. This is when I work on that, and I try to keep to those unless something comes up. So I think that having a regular schedule, even though this kind of work is more freelance and, you know, I report to myself, I still block off those times, and that’s been really helpful. 

    Emma Plutnicki  04:02 

    Yeah makes sense. And is there any like local professional community in South Carolina that you lean on? Is there like a group of authors or anything like that? 

    Megan Koon  04:12 

    Yeah, so, so there are, there are many groups here. I have just a group of local writers that I have a writing partner who I’ve been writing with for years. She writes screenplays and does short films. I write novels, but we, I mean, we both, we’re both storytellers, so I’ve been working with her for years. And then I also am part of a local group with poets, novelists, playwrights, who just get together, and support and accountability is important too. So there is a lot of local support here. There are certainly national organizations that I could belong to and subscriptions that you can have, but I’ve really found so much validation and support just here in the community, you just have to, you have to seek it, because sometimes these kinds of of groups are not advertising themselves out in the community. So. Yeah, makes sense. And along the way, have individuals in that community, or maybe family members or any other mentors given you any advice along the way, whether positive or negative? Yeah, so so both I have certainly being in a creative field. There are plenty of folks who, for whatever reason that I certainly will never understand, don’t see this kind of work as as valid as something like I was a teacher for 20 years, so as something like that, or where I go somewhere else, and I report to someone, and I do my work. It’s hard for people who are not creatives to conceptualize what it is that I do and and why it’s important and like how I support myself. So certainly over time, I’ve had people give advice out of the goodness of their hearts, but with an obvious non understanding of what I do, why it’s important. But also, I’ve gotten some great advice from those that I’ve worked with, whether it was my novel that I published, and I knew something was missing from it, and I had a friend read it and said, “Oh, well, obviously it needs this”. And I’m like, oh yes, obviously it does. And then I put it in, and then we got published. And then also friends in the writing world who are also more astute in like, marketing areas who have said, “Yeah, you should absolutely start this podcast”. Here’s how you should do it. Here’s how. There’s some tiers. So the thing about creatives, too, is that we bring a lot to the experience, beside, just, besides, just whatever our creative ability, like our creative talent, is. I mean, I’m a writer, but having been a teacher for years, I’m a great communicator. I can help explain things. Some of my friends who are writers have marketing backgrounds or, you know, all kinds of things. And so that’s the nice thing about a community of creatives, is that we bring a whole lot of experience to each other. 

    Emma Plutnicki  07:21 

    Yeah, for sure. And so when you you were a teacher, and then you decided to become a full time author. Did you have any fears when you made that switch? 

    Megan Koon  07:29 

    Yes, it was terrifying, because as sure, you know it’s it’s regular hours, it’s a regular paycheck. I loved teaching. I loved what I was doing. I taught English, surprise, surprise, and I loved doing that work, but I also realized that I was so busy and I committed so much of myself to that work that there was no time for this part of who I am, and I have, since I was teeny tiny, I have known that I am a writer, it is what I am supposed to do. I’m supposed to help other people write, and I did that as a teacher. But, you know, in addition, there were so many other responsibilities. So really, I feel that I was really nervous, but I was taking the bits of my teaching career that I loved the most, and I think are the most important, and deciding to make all of that the absolute focus of my time, and also to be able to devote more time to my own creativity, which just makes me a happier, healthier person. But I was certainly afraid, because it sounds and to my family, it also sounded like this unstable thing, because there are no set work hours. There’s no cont- like one contract that I sign, and so there was some nerve in that. But I’m a person who- I truly believe that if you know yourself and you know what gifts you’ve been given, and you feel compelled by those and you’re using them for good, then the universe will help you make your way. And so I took the leap and and I mean not to say that there haven’t been bumpy times where I’m like, “oh gosh, really is that that’s that’s the amount of income I brought to our family this month”  or “why can’t I find more clients right now?” And there’s certainly those moments, but I have learned through this experience that because I am doing what I am supposed to do, things are shaking out, and not even just shaking out, but thriving now, so yeah. 

    Emma Plutnicki  09:34 

    Amazing. So although you may have those bumps in the road, has there been one project that you’ve worked on that has had a significant impact on you, whether it showcased your like, peak of your creativity, or just continues to leave a lasting impact on your life? 

    Megan Koon  09:52 

    Yeah, that’s a great question. So there are certainly projects that I’ve worked on just my own writing novel writing that I, I love them, I haven’t complete. They’re finished, but not finished. So I have not submitted them for publication or anything, but I I feel very they feel very organic for me and very defining. But I would also say that part of what I do with as a writing coach to help other people write their novels or poetry collections, all kinds of things. Is a book that I just finished, I just finished doing an edit, and now the author has hired me into a writing coach retainer. And as I was working on this book, I this was when I was certain, like, this is exactly what I should be doing besides my own writing, I already know I should be doing that, but I love this work. I loved reading his work, and I loved being able to being able to make big suggestions. It was developmental editing, so I basically went in there and said, “Hey, you have two books here. It’s not one book. You’ve written two, and so we need to chop it in half and do all this”. And I felt so- it made me feel very confident myself, because I was certain that I was correct in all of these things, and I knew that I was helping, and he was so receptive, and so that that project was very affirming, that I not only do I know that I have gifts for writing and I know that I can help people write, but that I really can help people with their their their own career and life defining projects, and that’s awesome.  Yeah and so do you feel, I mean, in a creative field, it’s hard sometimes to know what success looks like. So how do you define professional or personal success? Is it moments like that where you just feel fulfilled helping somebody? Is it more financial, ideological? How do you define success in a creative career? That’s such a great question. I’m really glad you asked that, because having taught for many years, I taught high school, and you would ask the students what success was, and they would always say, you know, it’s this income, or it’s being able to live in this kind of neighborhood. And while, of course, there is a part of success that’s able to independently support yourself, for sure, in the creative field, I would say that for me success, I see success in many different ways, but it usually has to do with- either conveying my story and having someone respond to it, and it meant something to them. So, you know, I publish a book, and people read it and they’re like, “oh, this reminded me of, you know, where I grew up”, or “this was so relatable”, like that success. When I’m helping someone with their writing, they’re- they come back with a revision, and they’re so excited, because they really have accomplished this big thing, and that is success to me, because if nothing, I mean, I I’m, I think I’m a pretty good editor, but I, by all, I am an encourager and cheerleader for everybody to tell their story. I was at a career day for an elementary school recently, and I told them all like the most important thing in life to me is storytelling, whether that whether you and and we do that in many different ways. I do it with words. Some people do visual arts. I mean, some people vocally give talks and whatever it is, but everybody has their own individual story. No one could have ever told your story. No one else will ever be able to tell your story, and the world needs stories. So success, to me, is in any way helping to put stories into the world, whether it’s through my own writing, or helping someone else do it, because I really feel like that. That’s what we need as people, is to have those kinds of connections that we can only get through stories. 

    Emma Plutnicki  14:02 

    Yeah I love that. That’s a great perspective to have. Amazing so just as we wrap up, is there anything else you’d like to add, any advice or anything like that? 

    Megan Koon  14:13 

    I would just say that I am in my 40s now. I’ve been writing for a really long time, and I’ve done some other things in the meantime. Teaching, actually worked in IT for a little while, which is very funny, but I was doing communications, so um, and all of that has been well and good, but I am so grateful that I’ve come to the place where I can make space in my life to pursue these creative pursuits, and I wish that I had had more support for it earlier, like when I was growing up from my family or, you know. And so my advice to folks is that if they want to pursue a career in something creative, then know that this is in fact a career. It’s a career it is just as valid as any other career, and it’s, it is one of the most important careers, because we do need stories and we need things of beauty in the world and the the wonderful thing about being a creative is that everything I produce could only come from me, and so it is a personal contribution, but I would just say that if you’re going along and you want to pursue a creative career, and people are acting as if it’s not as valuable, or what does that really mean? If I hear the phrase starving artist one more time, I’m going to just start screeching, but just ignore the naysayers, like you know what you were created to do. You know what your gifts are, and go for them. It’s a legitimate career field, and you should spend your career doing something you love, because that’s how we all spend most of our day as you know, adult, grown up people so do what you love and don’t let detractors try to tell you that it’s not significant, because it really is. 

    Emma Plutnicki  16:03 

    Yeah, thank you. That’s great advice. I really appreciate you taking the time to speak about your career, and you clearly love it. So it’s really refreshing to hear. 

    Megan Koon  16:13 

    Yay! Thank you. [inaudible ] ask me!  Of course! 

  • Carol Baker

    Carol Baker

    “I gotta do the right fit for me, because ultimately I’m the one who’s got to show up and do it every day.”

    Carol Baker is the Director of Outreach and Community Engagement at the South Carolina Governor’s School for the Arts and Humanities. 

    Interview

    Transcript

    Lexi Raines  00:02 

    Okay, so first, I’m just going to ask you to introduce yourself. What do you do for what do you do for work? And where are you currently working from? 

    Carol Baker  00:10 

    So I- My name is Carol Baker. I am the Director of Outreach and Community Engagement at the South Carolina Governor School for the Arts and Humanities. 

    Lexi Raines  00:20 

    That’s awesome. So how long have you been working there?  

    Carol Baker  00:23 

    Yeah, so I’ve been there since 2012 so my first school year, we think in school years a lot, was the 12-13 academic year. 

    Lexi Raines  00:31 

    Awesome. So what’s one thing that you love about working there, working as like a creative in South Carolina? 

    Carol Baker  00:41 

    So I- our school has a statewide mission, which is great, because that means I get to be in all kinds of different communities and all kinds of different places. What I love about South Carolina is I think there’s a really strong identity. So there’s a there’s there feels like there’s a strong statewide identity, for sure. And people who are from South Carolina are really proud of that, like, we’ve got some really amazing things here. But if you have a chance to go into all of these smaller towns, or medium sized towns, or, you know, urban, rural, we have such a wide range. And what you see in the upstate might look totally different from what you see in the low country, and it’s such a, I don’t know when you get to do community engagement work like that. It’s such a joy to get to see all of that and see the different creatives and creative people and the ways that different people approach their their sort of communication, and how they show up for themselves. 

    Lexi Raines  01:31 

    I completely agree. I feel like South Carolina is a very dynamic state, and yeah, that’s part of what we’re trying to showcase. So what do you think South Carolina brings to, like, your work? Like, does it have like, unique influences on you compared to being anywhere else? 

    Carol Baker  01:49 

    It does. You know, my job is kind of like a mix of things. So I do, I do community engagement, right? There’s building and working in communities. There’s arts education specialty, like I’m an arts education specialist, so that’s my field, that’s my area. And then there’s also just arts management, right? There’s leadership and understanding how to work in a budget and how to write a grant, and all of those things too. It’s kind of a nice mix of things. And one of the things I think South Carolina is really special in and really what it offers is unique- Is a very, very vibrant arts education community. So we have got strong arts education leadership. We’ve got bipartisan support. We have opportunities to advocate. We have opportunities to learn how to be better at our jobs. There’s an arts education community here that’s very It’s tight knit, it’s strong and it’s supportive. It’s, it’s, you know, not as competitive as you might see in other areas. So, and having sort of seen it from the outside, you know, especially when you travel, you go to other states, and they’re like, you have what? I’m like, yeah. So this whole ecosystem here that is really unique to South Carolina? 

    Lexi Raines  03:01 

    Yeah I feel like that is very important. Because I feel like the support that young creatives have, like, oftentimes rely on, like, their teachers and just their direct community around them. So yeah, I think that’s really awesome. Yeah, so how would you describe that local professional community? 

    Carol Baker  03:24 

    Yeah so for me, local is interesting work, because I have a state mission, and in many ways, my my professional community is actually a statewide community, and not just a local, you know, down the street or in my neighborhood, kind of professional community. What I see is support, which is amazing, people who are willing to cultivate leadership, which I think is important, but also a willingness to kind of allow people to do what they do best. So we have different people who do different things, and as a result, I don’t have to feel like I have to do everything, which is a great feeling. I know I can pick up the phone and call somebody in my professional community and ask for help, or ask for support, or say, hey, students were really kind of outside my my lane. Can I call on you to help? And the answer will be yes, because we have such a supportive community. So the other thing is, I think we’re a little bit of a bunch of misfits, which I think artists kind of are in a lot of ways. You know, there’s only one me. I’m the only one who does what I do. There’s only one person who does XYZ job over here and XYZ over job over there. And in order to, like, build community and have community like, you need to be able to have those individual kind of personalities and roles come together, because otherwise, I think you could feel pretty isolated. So it’s a very deliberate and purposeful community. 

    Lexi Raines  04:49 

    Yes, I feel like in like bigger cities such as like New York or Los Angeles, I feel like there is some type of community unity, but it’s, I feel like it’s definitely not as involved as the one that we have here. Because I feel like, at the end of the day, everyone there is trying to get ahead of each other, where here, I’ve heard this a lot through all my interviews, that everyone’s just wants to support each other and help each other out. So I think that’s absolutely awesome. Yeah. So how would you define professional or personal success in your creative endeavors or at your work? 

    Carol Baker  05:30 

    Yeah, so 97% of what I do is collaborative. I do very, very few things in a bubble, by myself in a vacuum. So for me, and this is going to sound maybe a little bit heady, but it actually, it actually is, the most crucial piece of it is trust. I have to know that people trust me, and I have to be able to trust other people. So for me, success is when that trust is cultivated and we have a relationship that is built around that. Because community, any kind of community work, whether it’s in the arts or any, you know, in, you know, hospital outreach, whatever community work you’re doing, you have to work with people. It. That’s the whole function of community, right? So when I when I have somebody pick up the phone and call me and say, Hey, I don’t know the answer to this, but I figured you either would know or could help me find the right person that shows that I have developed a trust relationship with that person or that community, and they know that they can call me and we’ll stand with them and figure it out. So that, to me, actually is probably the biggest sign of success. 

    Lexi Raines  06:37 

    Yeah, I completely agree. Trust is just so so so important. So you said you’re an arts education like, that’s like your main field. So what was your biggest fear when you decided to, like that you wanted to pursue the arts or being a arts education teacher? I feel like it can be, like, very scary. 

    Carol Baker  07:01 

    Yeah I think for me, and I probably still deal with this to a certain degree, is a little bit of imposter syndrome, and also some definite sense of there’s a very specific path you’re supposed to take with this certification and this type of degree and this type of educational outcome, right? Like and if you don’t have those boxes checked, then you’re not really a part of that field, right? And that’s actually not necessarily the case. I’m not a certified teacher, which is interesting. I have a teaching artist background and a management of education background. So when you look at these traditional paths and you kind of think, Oh, well, those people, they must know something I don’t know, or there’s they probably are better at something than I am. I think there, I think if there was a lot of reminding myself that there are other ways to go about doing things and still be a part of a community. So yeah, you know those traditional paths, they are critical. And I don’t, I do not say don’t do that. They’re fantastic. And also there are other ways as well. So it kind of takes, I think, a lot of different ways to approach a problem. 

    Lexi Raines  08:08 

    I completely agree that’s one of the main things that we want to do, is to show that there’s not just one set way to get somewhere as a creative there’s so many different paths. There’s people who went to school for something in STEM and then later decided to pursue the arts, right? It’s just such a dynamic range, and it changes all the time. So I definitely understand how it can be scary, but I feel like there is so much of that support here and people to lean on, yeah, so please, can you, like, describe a defining moment that you’ve had in your career? 

    Carol Baker  08:47 

    Sure. You know, I saw that question last night, and I was like, gosh, I feel like there’s a million, and I don’t even know how I would pick one, but I think, I think I would pick something that’s actually happening now that we started in 2016 but it’s important, because actually everything in my career path sort of led up to it, so I’m currently- so as the Outreach Director, we run a lot of different types of programs, right? We have, you know, just a wide range of things that you can kind of choose from, if you’re a teacher or an after school provider. One of the programs is called Spark, and it is a program that uses drama strategies to support literacy. So reading, writing, oral communication, all of that, primarily reading is what we’re mostly interested in, but getting kids up on their feet and using playful strategies and using creative strategies instead of that. Hey, not everybody wants to sit and read a book. I personally love to sit in read a book, but that’s me. I understand that that’s when you’re eight years old. You need to move your body and you get it, you need to physically embody and understand what’s happening. I could not have known that that was going to be an opportunity for me when I started this a million years ago. But what’s interesting is that if I look at my path, where. I started was and when folks asked me my art form, I started in story. I started in the development of story, of why and how people tell stories. You know, I started leaning into the management of these kinds of programs. How do you build them? How do you structure them? How do you find funding for them? What do people need? Data do people need in order to believe you and trust you, right? How do you work with teachers to, you know, provide professional development services and all of that, I didn’t, I didn’t and couldn’t, have known that this would be an opportunity for me. And yet, everything that I was doing was pointing me in that path. And so when I look at it, I’m like, “Oh my gosh”. Like, that’s exactly what I was supposed to be doing all along. I just didn’t know, and yet, now I’m in it. I’m like, Well, this is exactly what I’m supposed to be doing. This is where my choices led me. So I feel like as a defining moment, that’s an important piece to say, “Hey, I didn’t know I was going somewhere, but the things that I cared about and trusted enough to learn about led me to the right place”. That’s awesome. I feel like that is such a comforting feeling at the end of the day to look back and be like I was supposed to be here. My path led me to this. And I feel like that also goes back to what you’re saying about imposter syndrome, because, like, you got yourself here at the end of the day, like you- Right, exactly, right. 

    Lexi Raines  11:30 

    So also, can I ask you, what is the best and worst advice you’ve ever received? 

    Carol Baker  11:36 

    Yeah, so probably the best advice actually got two pieces of really good advice, but that would say the best advice for a community person and it was actually said, go to the kids. Always go to the kids. The idea was so I was, at that point, I was debating between working in more of an education setting or more of like an arts setting in education, like a performing arts center that has education programs, slightly different, dynamics, very similar, and either one would is they’re both great. But regardless of that, at that time, the advice was, don’t ever assume a child or a community member or a person that you’re working with is going to come to you. Your job is to go to them. It is to be in their community. It is to trust their decision making. It is to recognize what they need. It is not that they come into your space. And that advice was given to me specific about school kids. You know, we’re talking about school kids. Well, where do they go every day? They go to school every day. So like, how do we work with schools? Right? But it actually is true for any community, right? No matter what you’re doing, community driven work is about the other person. It’s not about you, it’s about what they need, what they’re asking for, what they’re assessing within their own situation, right? So I think that was the best advice I’ve never I can’t actually call up the worst advice, but I do have a thing that I think is probably falls in that category. I was very lucky. I grew up in a family of musicians and community service people, people who worked in nonprofits and arts and all this stuff. So in some ways, what I do makes complete sense, right product of my environment. Not everybody has that, you know, experience. But what was interesting to me was the expectation so they were musicians. The the expectation was that I would go into music. That was just it. There was no question about it. It was never said. It was never even a thing. It was just kind of, well, that’s what’s going to happen. It was almost like a the world around me had just decided this for me, right? Yeah, I spent a lot of time in my early adult years really trying to figure out the difference between what other people expected from me and what I needed for myself creatively. That was never going to be my gig. It doesn’t mean I don’t love it, because I do. I’m actually interested in all the arts, but especially interested in all the performing arts. Very interested in stories. I’m very interested in how we embody stories, right? So if I had sort of allowed that sort of wave to direct where I was going, I wouldn’t be as happy as I am. And so I think there is a necessity to evaluate yourself and your own needs as well as what’s actually available to you, right? Like, because I was, again, I was looking at parents who were like, That’s cool. Go a different direction. That’s fine. The community at large, that was actually also kind of interesting, because people knew who we were, and there was an expectation that, oh, she said, I probably do that. That was not the right thing for me. And so I say that, to say that there are social expectations and social dynamics that we all face, regardless of what they are, whether you want to be a musician or chiropractor or whatever it’s still, there’s a certain. Level of I got to do the right fit for me, because this is, ultimately, I’m the one every who’s got to show up and do it every day at the end of the day. So I think that was, I wouldn’t say it’s bad advice, but it was almost like a very quiet assumption that had to be pushed against. 

    Lexi Raines  15:16 

    Yeah, and I feel like there’s a lot of things that are true for like, a lot of students like that, like, I know, for me personally, I came into school with a computer science degree because kind of growing up, my whole family was like, you can do anything, but don’t do anything in the arts because you’ll never make money. So and I feel like that’s how it is for, like, so many students everywhere. And then I was miserable in that, like, so miserable because, like, that’s just not what I wanted to do. That’s what other people wanted me to do. Wasn’t what I wanted to do. And so I ended up switching to English, and I’m, like, significantly, significantly happier. Like, I’ve never missed computer science a day in my life, right, right? So I when I ended up telling my mom she was okay with it, because she was like, at the end of the day, it’s, it’s your life. But I feel like just having any ounce of support is from your family, from a community, is so, so important. 

    Carol Baker  16:20 

    Yeah, yeah, yeah. One of the things when I was trying to decide my degree, I’m also an English I had an English major and did some arts management as well. Never heard of arts management. I just fell into it as an elective at school, because I was interested in writing and publishing and, you know, the arts and all this kind of stuff. But I remember my dad was told me one time. He was like, you know, what do you not want to do? Let’s focus on that first. Get that out of the way so that we don’t end up accidentally doing something that sounds horrible, right? Like, sometimes you don’t know what you do want to do, but you definitely know what you don’t want to do. Yes, which I thought was another, another good piece of advice. 

    Lexi Raines  16:57 

    So I completely agree that’s, that’s something really good to go off of, yeah. Okay, so can you walk me through a typical work day? 

    Carol Baker  17:08 

    Yeah, I can do my best. So a typical work day for me? Actually, one of the joys of this job is that I don’t have a super typical work day, which I love. Like each day could look different than it did the day before, but the kind of broad strokes things that are generally expected of me during a day, we have a lot of public facing documents. There’s a good bit of reading, writing and editing that has to happen, making sure that you know, you don’t accidentally say 2004 instead of 2024 which may or may not have happened to me just last week and a document, there’s also a lot of advocacy work that gets done, so whether that’s internally within my own leadership team, and I have amazing support here, so that’s not a huge thing, but there’s just a reminder of what does it mean to be a community person, like an explanation of, sort of the back end, that these things don’t magically happen Every day. There’s budgets that have to go behind them. There’s, you know, procurement and purchasing that has to happen. There are rules about what you can and cannot do in a public school that I’m responsible for making sure that my team follows. You know, do we have media releases on this kit these kids before we take photos of them? So a lot of the stuff that I do is actually an ef- in and done in an effort to make sure that my teaching artists, who work for me can actually teach so they focus on the teaching. My job is to say, Do you have the right lesson plan in place? Do you understand what you know? Have we aligned this appropriately with the standard so that the teacher that you’re visiting will have a quality lesson and a quality experience. Do we need to go explore a grant option and make sure that we have written that correctly so that a donor and we’re gathering the right data for that donor? So there’s a lot of back end work that happens. There’s also a good bit of travel that happens as well. That’s a part of the job. And I remember during COVID, I was like, a community director is meant to be in their community. So there’s just being out with people and in their, you know, local restaurants or their schools or their after school clubs is a big part of it as well. Yeah, that 

    Lexi Raines  19:17 

    sounds very busy, but it sounds like very, very engaging. That is what we do, community engagement. But I feel like it sounds just so interesting to always be out there in the community see what’s going on. So that’s awesome. Yeah. What are some habits that you have that you think would be beneficial for others wanting to join your field? 

    Carol Baker  19:42 

    I think one of the things that’s super important is a very clear awareness of yourself and how you function, because the this type of job can wear you out really fast. You spend a lot of time in the car, you spend a lot of time in hotels, you spend a lot of time in other people’s environments and that also is- Goes to your creativity practice as well, right? Like, if you’re going to maintain boundaries and all of those things, you need to know yourself well enough to know I probably can’t actually drive that far and what, even though I could five years ago, maybe I can’t do that now. Or I need to make sure I stay in a hotel that has this kind of situation, right? Like those personal boundaries have to actually really be strong and in place if you’re going to be in a position where you’re constantly giving and putting out. Because if you don’t do that, you’re just going to run yourself run yourself ragged. And I think the other piece is really knowing what you can and cannot provide. You know, we have folks, and be clear about that. You know, we have folks who will call. We don’t have this as much now, but when we were first kind of trying to decide on some things, outreach can look and community engagement can look like. So many things, there’s a million ways to do it, and they’re all great like that doesn’t mean one is better than the other, but you have within your capacity, whether it’s budget wise, staffing wise, just human capacity right to show up for you have what you have. So if you if somebody calls and asks for one thing and you can’t meet that need, it’s actually okay to say, I love that you have that need I can’t meet it, but let me help you find someone who can, because you’ll just end up being like, Oh no, this person needs something, and this person needs something, and you have to have pretty clear professional and personal boundaries. I would say boundaries, I think is the biggest, the biggest answer to that probably. 

    Lexi Raines  21:36 

    Yeah, I I completely, complete. I feel like that’s an amazing piece of advice, because I feel like so many people do struggle with setting those boundaries. So is that like, how you would say you created your like, work life balance? 

    Carol Baker  21:52 

    Yeah, in a lot of ways, and I think also, you know, for me and this, this might look different depending on the kind of artists or creative that you are. I consider myself more of a creative than an artist, but artist, but I’m more interested in the process than I am in the product. So I’m not the type of person who’s that worried about getting my thing that I’ve done, my piece that I’ve written, or whatever, exactly right? Because I’m not that interested in putting it out so that 20,000 people listen to it. I do it more for myself and my own sort of creative expression and my own mental health and well being and personal curiosity, right? That means that I’m more flexible. I can do it more places. I don’t have to. I’m not tied to a rehearsal that’s happening at the theater down the street or whatever, right? So that’s that’s unique to me. And some people are like that. Some people are in the other direction. That’s totally cool. One of the things I think that’s fun about this job, though, is that you get to go into all these communities, and you get to participate in their cultural stuff, which is fantastic. So you get your needs met in a lot of ways, because you’re exploring the culture. You can go to the local museum while you’re in Barnwell. You can go to the local art festival while you’re in Georgetown, right? You can do those things because you’re there, and that’s actually part of your job, which is fabulous, right? So I would say that a lot of it is taking advantage of what’s immediately in front of you, in terms of your creative outlets, practices, things that you want to explore. You know, there is nothing wrong with a great night in a hotel room working on crafting a piece of something that you might not even do at home. Because when you’re at home, you’re like, how do the dishes, right? Like, it’s kind of, I don’t know, it’s kind of nice to kind of have an escape to a certain degree. 

    Lexi Raines  23:34 

    Yeah, that’s a really, yes. That’s a really, like, fun and interesting mindset that like, I haven’t really heard heard of a lot, but I feel like that’s definitely a good thing to keep in mind when you are traveling so much and it’s for work. Why when you work creatively, why not find stuff to do within what you’re already doing? So Right? I feel like that is an amazing mindset to have so almost my last question, so, do you have, like, any questions that you wish you were asked? 

    Carol Baker  24:12 

    I think the one thing I would say, I don’t know if it’s a question, but I think the one thing that would say is that it’s okay if you are not a specific artist within a specific area. So, like, if you’re not an assistant block yet, I’m trying to think of an example. But if you’re not an oboe player, right? Like, and you have this very clear defined thing, I’m an oboe player. This is what I am. It’s okay if you’re not that, it’s okay to say, I love all of the arts. I love all of maybe I don’t love all of the arts. Maybe I love everything that has to do the writing. Or maybe I love everything that has to do with the performing arts. Or, oh my gosh, I I just love three different things, right? Like, I think this idea that an artist and a creative has to be. Assigned to a specific thing is, is good. There’s nothing wrong with it. There’s plenty of people who do that. I work in a school that supports that, so I want to be really clear, like, even my school here, that’s what we do for kids, is we’re like, that’s your passion. Let me help you go deep with that. Not everybody’s going to do that. Some people will also be in the broader sort of multi art kind of domain, or the hyphenate artist, or whatever it is that you’re considering. That’s also great too. There are plenty of roles for that. I think I may have mentioned this earlier, but when I first started working, I people would ask me my art form, and I’d say, “Well, you know, primarily drama, but really it’s story”. And that was, that was, that was a thing people be like, when you type what? That doesn’t fall in the box, right? But it actually is the connecting piece between all the art forms that I’m interested in. I’m interested in how artists and creatives tell stories. So it’s, I think it’s one of those things to remember that all of those things are important, right? It’s a pie. It’s a puzzle. We need those deep dive people in order to be in the symphony, and we need those deep dive people to make beautiful pieces of photography or whatever. And also we need other people who can help pull it all together from sort of a different perspective. So we just toss that out there. 

    Lexi Raines  26:22 

    No, I can- I completely agree with that. I feel like also, when you are just you’re only limiting yourself to one thing, I feel like you can, kind of like hinder yourself from other opportunities or other things you might end up loving even more than you love one thing so and I feel like I feel like interdisciplinary artists are definitely growing in popularity, because people are finally realizing, “oh, I can do everything I want to everything that I love. I don’t just have to market myself towards one thing” which is absolutely awesome. 

    Carol Baker  26:59 

    You know, I’ve actually most of the folks, when I was kind of coming along, were exceptionally skilled in multiple art forms. I mean, it was mind boggling to me, and I was like, Oh, you’re actually an artist. Like, that’s here. Let’s zoom up and talk about it as, like an artist versus this or that and I don’t- and again, I those that does not mean that those other things aren’t valuable. It means that we need all of them, and if we just focus on one or we just focus on the other, then we’re missing the point, right? But I love the term creative. I love the idea of the creative as a type of individual, right? Like it just kind of kind of shakes it out a little bit and gives you some room to breathe. If that is the right place for you to be. 

    Lexi Raines  27:44 

    I completely, I completely agree with that. So my last question for you is, do you have a creative or an artist that you would like to nominate to be interviewed? 

    Carol Baker  27:57 

    I do actually have two. Can I nominate 2? Am I allowed to do that?  

    Lexi Raines  27:59 

    Yeah, let me get a pen and paper.  

    Carol Baker  28:02 

    They’re both affiliated with the Governor’s School, so I don’t know if that is I don’t know how you make your decisions about who you choose, but-  

    Lexi Raines  28:08 

    Okay, I’m ready.  

    Carol Baker  28:10 

    So the first one is Dr Cedric Adderly, C, E, D, R, I, C, A, D, E, R, L, E, Y. He’s the Governor School’s president, and he is also a so he’s an educator, but also a composer. And, you know, just has a really cool, interesting story and dynamic to tell the others. Anne Tretromsness: TR and with an E, and then T, R, O, M, S, N, E, S, S, to look up at the sky, to follow the letters. How do I spell that? 

    Lexi Raines  28:45 

    Okay, so wait, S N, what is that? 

    Carol Baker  28:50 

    Yeah, so it’s, let’s start the beginning, T, R, O,M, S N, as in no, E, S, S, Tromsness.  

    Lexi Raines  29:01 

    Okay awesome.  

    Carol Baker  29:02 

    Yeah, she is on our faculty here, but she’s been an educator in lots of different settings, but she’s also an active director and active performer, very much into social justice type movements. Just a really all around interesting. She was Teacher of the Year for Greenville County. I think they both have just really nice, interesting stories. I think, yeah, what you’re looking for, I don’t know what you’re looking for, but I don’t even know how I ended up here. So there you go. How does this happen? So, yeah 

    Lexi Raines  29:33 

    Yeah so you were nominated. I could, could probably pull up who you were nominated by, actually, because we can tell you. You were nominated by Thurraya.  

    Carol Baker  29:45 

    Oh, okay, great, yes.  

    Lexi Raines  29:46 

    And then we also actually do have Dr Cedric on or Dr Adderley on our nominations list. 

    Carol Baker  29:54 

    So I figured he probably, I think I have actually nominated him before in some other capacity, so that’s good. Yes. So they’re very different individuals from each other, but, you know, they’ve got really great stories. Yeah, 

    Lexi Raines  30:05 

    That’s awesome. So I’m going to be sending you a follow up email eventually, if, in that email, I’ll also ask in there you could connect like Ann’s email, because we already have Dr Adderley’s email, okay, just so that we can look into her a little bit more and put her on our list to reach out to.  

    Carol Baker  30:31 

    Yeah, absolutely.  

    Lexi Raines  30:32 

    Thank you so much for your time.  

    Carol Baker  30:34 

    Yes!  

    Lexi Raines  30:34 

    I loved interviewing you, its really awesome, and- 

    Carol Baker  30:37 

    I’m glad good time too. So thank you. 

    Lexi Raines  30:39 

    Thank you. Have a good day.  

    Carol Baker  30:41 

    You too. Bye.